
Mildred Bailey |

W C Handy |

Mississippi John Hurt |

Blue Lu Barker |

Sleepy John Estes |

Robert Nighthawk |

J. B. Hutto |
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Featured album ... Me and Mr Johnson |
In my collection / studio there are literally hundreds of albums and thousands of tracks, in my car, just one - 'Me and Mr Johnson'.
Respectfully, and at the risk of being labelled a blues philistine, Mr Clapton isn't really at the top of my tree when it comes to the many blues artists, preferring, as I do, the more, earlier ones. However, this album a cover of Robert Johnson's songs is something special. If this one isn't in your collection, it should be. |
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Back to the Roots of the Blues ... Backtracking
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Latest release 12th Sept 2025 - Thank you for visiting with us, we cordially invite you to review and download the current production below. 'Backtracking' is a result of our research a journey of discovery that never ends, our love of the Blues and respect for the artists that left us this legacy of music.
All this simply because the music, the history and the culture of the blues never ends. We're honoured and privileged to share the music within the genre of the Blues back in time a hundred years and beyond, a genre so vast and so diverse.
Backtracking is streamed online and is broadcast worldwide. It's free to join the 'Backtracking' time machine - Get the authentic blues on your radio station ..... |
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Featured artist of the week .... Garfield Akers
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Garfield Akers (possibly born James Garfield Echols, probably 1908 – c. 1959) He in addition, he occasionally performed under the name ‘Garfield Partee’. Garfield remains a shadowy figure; knowledge of his life is based almost entirely on reports of a few contemporary witnesses.
The extent of his recordings consists of just four sides, which are nonetheless historically significant. His most well-known song was his debut single "Cottonfield Blues", based on a song performed by Texas blues musician Henry Thomas.
Also in the 1920s, he met guitarist Joe Callicott, with whom he played well into his 40s and who was his second guitarist. they performed on weekends in the Hernando neither were professional musicians. They rarely played outside the Hernando area; they avoided the Mississippi Delta, the real heartland of Mississippi blues, they took a view it was too dangerous for them there and their local popularity in Hernando ensured better income for less effort.
Cottonfield Blues" was Garfield’s' trademark tune, which he had practiced continually on his own as well as with Joe Callicott since about 1926/27; the recording accordingly clearly illustrates how well the Akers/Callicott team was attuned to each other. Garfield’s second recording, was in February 1930, , consisting of Jumpin and Shoutin' Blues / Dough Roller Blues, the latter being a variation of Hambone Willie Newbern's Roll and Tumble. Here, due to the close playing of the two, it is hard to say for sure if Callicott was present as a second guitarist. He is not mentioned, but claimed this himself in an interview. Also, at this session, Joe Callicott recorded his only contemporary release as a soloist, "Travelling Mama Blues", for which Akers is credited as the author.
In the 1940s, Akers and Callicott ended their musical work together, and Akers moved to Memphis, and worked in a flour mill. He often played weekends on Beale Street and performed around Memphis in juke joints. There are conflicting accounts about the date of his death, most often giving the year 1959, Only a few years after his death, in 1962, the compilation Really! The Country Blues 1927-1933 was released and included both parts of Garfield’s Cottonfield Blues. |
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One of the most unusual albums in my collection, but certainly one of my favourites. Huddie William Ledbetter, better known as 'Leadbelly' had such a distinctive voice, so appropriate for these songs. it's not at all a surprise that he was one of the prime inspirations for so much of the music that followed him. Negro Sinful Songs is a 1939 album by Lead Belly, produced on April 1, 1939; This Lead Belly recording session produced a total of 14 takes, with 10 of them being selected for the album. The album was originally released as a five-disc collection of 10-78 rpm records. The first song on the album, Frankie and Albert, had to be split into two parts due to play time constraints of 78 rpm discs (each side could hold about three minutes of sound). Originally, both halves of the song were issued on the first disc of the album, on side A and B.
At some point after the first pressing, the second half of the song was moved to side A of the second disc. This was done to accommodate automatic record changers, which could easily move from one disc to another but not flip discs. Looky, Looky, Yonder, Black Betty, and Yallow Women's Door Bells were recorded as one continuous take and therefore have the same matrix number. The same goes for Ain't goin' down to the well no mo and Go down old Hannah, as well as, Poor Howard and Green Corn. Each matrix number was given its own side of a record. |
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Get in touch, How to contact ... PD Productions
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Every day we have the blues ..... PD Productions Video archive...
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Welcome to the PD Productions video archive. We are delighted to receive video clips from our very good friends around the world to include in our 'Backtracking' program. Below is a list of the clips scheduled for the next few weeks ... |
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The Staple Singers - I'll Take You There |
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47th Street Jive - June Richmond with Roy Milton's band |
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B. B. King - The Thrill Is Gone |
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Diunna Greenleaf & Blue Mercy |
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Nina Simone - Ain't got no, I got life |
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Raymunda Dutch Blues - Pity the fool |
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Take Me to the River LIVE - Sharde Thomas and Rising Star |
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Current clip: The Rabbit Foot Minstrels ... |
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Play the current video |
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Download from our server |
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Legal / Copyright stuff |
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Myths and Legends of the blues ..... St. James Infirmary
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The legend of ‘St. James Infirmary’ refers to a famous American blues and jazz song, but the true origin is a myth surrounding the connection to an 18th-century English folk song called The Unfortunate Rake. The myth is that the American song is descended from this long lost British folk song, sadly, supported by tenuous evidence.
The original 18th Century song tells the lurid story of a soldier dying in St. James Infirmary of an undefined disease. The true origin of the legend is said to be an American or British song dated from somewhere in the 18th Century, and tells the story of where the singer discovers their lover dead at the St. James Infirmary and arranges for a lavish, raucous funeral, or it could be an 18th-century English folk song about a soldier dying, they appear to be two separate songs.
I have no idea how many versions of the song there are, probably hundreds or how many different lyrics there are, the research books refer to several different lyric structures and changes made to consider the sensitivities of the time. I'm not even sure how many there are in our archives. In our collection they range from 1967 back as far as 1933 - that is the one we're streaming this time. St James Infirmary 1933. |
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