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Back to the Roots of the Blues ... Backtracking
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Latest release 22nd Jan 2025 - Thank you for visiting with us, we cordially invite you to review and download the current production below. 'Backtracking' is a result of our research a journey of discovery that never ends, our love of the Blues and respect for the artists that left us this legacy of music.
All this simply because the music, the history and the culture of the blues never ends. We're honoured and privileged to share the music within the genre of the Blues back in time a hundred years and beyond, a genre so vast and so diverse.
Backtracking is streamed online and is broadcast worldwide. It's free to join the 'Backtracking' time machine - Get the authentic blues on your radio station ..... |
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Featured artist of the week .... Blind Willie McTell
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Blind Willie McTell was one of the great blues musicians of the 1920s and 1930s.displaying an extraordinary range on the twelve-string guitar, this Atlanta-based musician recorded more than 120 titles during fourteen recording sessions.
At a time when most blues musicians were poorly educated and rarely travelled, Willie was an exception. He could read and write music in Braille. As a person faced with a physical disability and social inequities He travelled extensively, frequently alone
By the mid-1920s Willie was already an accomplished musician, playing at house parties and fish fries. He had also traded in the standard six-string acoustic guitar for a twelve-string guitar, which was popular among Atlanta musicians because of the extra volume it provided for playing on city streets. By 1926 record companies had begun to take an interest in recording folk blues artists, mostly men playing solo with guitars—Blind Lemon Jefferson from Texas, Charley Patton and Tommy Johnson from Mississippi, Like other musicians at the time, he recorded on different labels under various nicknames to skirt contractual agreements. Thus he was Blind Willie, Georgia Bill, Red Hot Willie Glaze, Blind Sammie, and Pig 'n’ Whistle Red. The latter name came from a popular drive-in barbecue restaurant in Atlanta where he played for tips.
In 1934 McTell married Ruth Kate Williams, with whom he recorded some duets. Willie was the only bluesman to remain active in Atlanta until well after World War II (1941-45), he played for tips on Atlanta’s Decatur Street, a popular hangout for local blues musicians. His last recording was made in 1956 for an Atlanta record-store owner. Afterward he played exclusively religious music. From 1957 to his death he was active as a preacher at Mt. Zion Baptist Church in Atlanta. .. He died from a cerebral hemorrhage on August 19, 1959 |
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We’ve all got our favourites or styles that we tend to lean towards, Piedmont blues sits for me as do a couple of Piedmont artists such as the Rev Gary Davis, Blind Blake and Sonny Terry. Elizabeth Cotton’s Freight Train is categorised as indeed a Piedmont track and is for me one of the best and easily recognised fingerpicking guitar tunes.
The specific style (also known as East Coast, or South-Eastern blues) refers primarily to a guitar style that may be said to be comparable to the sound of a ragtime piano. How would that sit with you?
The style is characterised by intricate fingerpicking in which the thumb alternates bass strings in a rhythmic pattern the treble strings. The syncopated guitar style connects closely with the traditional earlier string-band tradition that we at PD are so familiar with, integrating ragtime, blues, and country dance songs.
The style originated in the Piedmont region of the United States, the hilly area which lies between the Atlantic Coastal Plain and the Appalachian Mountains from central Georgia to central Virginia. Played by both white and black musicians, it is a regional folk music that remains to this day.
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Get in touch, How to contact ... PD Productions
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Facebook ... From the archives
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| From the PD Productions archives, we're blowing the dust off tracks that don't appear on Backtracking as much as they should... |
| This time: Bessie-Smith - Dixie Flyer Blues |
Check it out / Click and load |
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Every day we have the blues ..... PD Productions Video archive...
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| Welcome to the PD Productions video archive. We are delighted to receive video clips from our very good friends around the world to include in our 'Backtracking' program. Below is a list of the clips scheduled for the next few weeks ... |
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The Staple Singers - I'll Take You There |
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47th Street Jive - June Richmond with Roy Milton's band |
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B. B. King - The Thrill Is Gone |
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Diunna Greenleaf & Blue Mercy |
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Nina Simone - Ain't got no, I got life |
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Raymunda Dutch Blues - Pity the fool |
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Take Me to the River LIVE - Sharde Thomas and Rising Star |
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Send us a video clip of your gig (mp4 format) - Click here |
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| Current clip: .... Nina Simone - Ain't got no, I got life |
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| Play the current video clip |
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| Legal / Copyright stuff |
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Myths and Legends of the blues ..... R L Burnside
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R L Burnside, whose jovial presence and jokes never failed to entertain, reluctantly he retired due to illness in his final years and died at St. Francis Hospital in Memphis on September 1, 2005. According to some documents R.L. stood for Rural L., or for Robert Lee, Burnside. To many locals he was known as simply 'Rule' and to his family he was their beloved 'Big Daddy'
Some stories around the 'Blues' probably embellished over time are too delicious to pass over. Around 1959, he left Chicago and went back to Mississippi to work the farms and raise a family. He killed a man at a dice game and was convicted of murder and sentenced to six months' incarceration (in Parchman Prison). his boss at the time reputedly pulled strings to keep the murder sentence short, due to having need of Burnside's skills as a tractor driver. he later said 'I didn't mean to kill nobody ... I just meant to shoot the sonofabitch in the head. Him dying was between him and the Lord'
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